Blackmagic Design has released version 20.2 of DaVinci Resolve (Studio). Despite the supposedly small version jump, the update brings numerous new functions and improvements to the popular editing and grading software. There are significant innovations, particularly in the areas of workflows, 3D editing and codec support, which affect both professional editors and ambitious users.
- New streaming function: Direct-to-Vision Pro from the Fusion side
- Improved editing tools such as ripple trimming and extended keyframe editor
- Extended codec support for ProRes RAW from iPhone 17 Pro and Sony ARW, among others
- Available for Windows, macOS, Linux (free and Studio version)
Improved workflows for more efficiency
The developers have paid particular attention to optimizing workflows. One of the most striking new features is the ability to stream content directly from the Fusion page to Apple Vision Pro. This makes it much easier to preview complex composings in the XR environment. The tools for stereoscopic 3D have also been expanded: rendering can now be done either as “side-by-side” or “top-bottom”, and Resolve now also supports node stacks in 3D projects, which offers more flexibility for visual effects.
There are also improvements in the classic editing area. In particular, the new ripple trimming ensures that synchronization is automatically maintained during editing actions – a significant time saver for precise timeline adjustments. Furthermore, the keyframe and curve editor in the timeline has been equipped with an additional action toolbar, which makes it easier to access frequently used tools. Auxiliary lines can now also be individually coloured and locked, making the organization of complex projects more transparent.
Performance boost and smoother operation
In addition to the new functions, Blackmagic Design has significantly improved performance under macOS. In particular, transcriptions and voice conversions now run twice as fast, making the integration of spoken language into editing projects more efficient.
There are also improvements for use in live and broadcast environments. The handling of stinger transitions in interlaced timelines has been optimized, as has the feedback from the replay editor and the ATEM switcher when cueing replays. These adjustments are aimed at establishing DaVinci Resolve even more strongly as a versatile tool for live productions.
Extended codec support
One of DaVinci Resolve’s greatest strengths has always been its broad codec support – and in version 20.2 this has been extended once again. New is the support of ProRes RAW clips, as they can be recorded with the new iPhone 17 Pro. Sony ARW images can now also be decoded and Samsung APV clips encoded. ARRICORE clips have also been integrated for high-end film production.
There are also updates in the area of still images: single image WebP and GIF files can now be imported as still images. This extends Resolve’s flexibility in project work and makes the software even more compatible with common media formats.
Important note on compatibility
Despite the numerous new features, one important restriction remains: Projects created or opened in DaVinci Resolve 20.2 are no longer backwards compatible with version 19.1.3. Before updating, it is therefore strongly recommended to create complete backups of the project library to avoid possible data loss.
Conclusion
With version 20.2, Blackmagic Design delivers an update that speeds up many workflows, introduces new creative tools in 3D and editing projects and expands support for current codecs and camera systems. Whether for classic editing, VFX or live productions – the update strengthens DaVinci Resolve as an all-round solution for video professionals. The new version is now available free of charge or as a Studio edition via the Blackmagic website for Windows, macOS, Windows ARM and Linux.
